This Old Bank Of Sand is a weekly poem feed. Add your email address to the Follow by Email link on the right and you will receive one poem a week (usually on Monday morning). If you have suggestions for poems or poets, or any other suggestions, please use the comments facility at the bottom of each poem (public), or email them to thisoldbankofsand@gmail.com (private). To leave a public comment, click on the word comments which you can find just below each poem.

Sunday, January 29, 2012

On The Move 'Man, You Gotta Go' by Thom Gunn


The blue jay scuffling in the bushes follows
Some hidden purpose, and the gush of birds
That spurts across the field, the wheeling swallows,
Have nested in the trees and undergrowth.
Seeking their instinct, or their pose, or both,
One moves with an uncertain violence
Under the dust thrown by a baffled sense
Or the dull thunder of approximate words.

On motorcycles, up the road, they come:
Small, black, as flies hanging in heat, the Boy,
Until the distance throws them forth, their hum
Bulges to thunder held by calf and thigh.
In goggles, donned impersonality,
In gleaming jackets trophied with the dust,
They strap in doubt--by hiding it, robust--
And almost hear a meaning in their noise.

Exact conclusion of their hardiness
Has no shape yet, but from known whereabouts
They ride, directions where the tires press.
They scare a flight of birds across the field:
Much that is natural, to the will must yield.
Men manufacture both machine and soul,
And use what they imperfectly control
To dare a future from the taken routes.

It is part solution, after all.
One is not necessarily discord
On Earth; or damned because, half animal,
One lacks direct instinct, because one wakes
Afloat on movement that divides and breaks.
One joins the movement in a valueless world,
Crossing it, till, both hurler and the hurled,
One moves as well, always toward, toward.

A minute holds them, who have come to go:
The self-denied, astride the created will.
They burst away; the towns they travel through
Are home for neither birds nor holiness,
For birds and saints complete their purposes.
At worse, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.

Sunday, January 22, 2012

What Does It Mean by Czeslaw Milosz



It does not know it glitters
It does not know it flies
It does not know it is this not that.

And, more and more often, agape,
With my Gauloise dying out,
Over a glass of red wine,
I muse on the meaning of being this not that.

Just as long ago, when I was twenty,
But then there was a hope I would be everything,
Perhaps even a butterfly or a thrush, by magic.
Now I see dusty district roads
And a town where the postmaster gets drunk every day
Melancholy with remaining identical to himself.

If only the stars contained me.
If only everything kept happening in such a way
That the so-called world opposed the so-called flesh.
Were I at least not contradictory. Alas.

Sunday, January 15, 2012

Words by Ruth Stone



Wallace Stevens says,
"A poet looks at the world
as a man looks at a woman."

I can never know what a man sees
when he looks at a woman.

That is a sealed universe.

On the outside of the bubble
everything is stretched to infinity.

Along the blacktop, trees are bearded as old men,
like rows of nodding gray-bearded mandarins.
Their secondhand beards were spun by female gypsy moths.

All mandarins are trapped in their images.

A poet looks at the world
as a woman looks at a man.

Sunday, January 8, 2012

Oysters by Seamus Heaney


Our shells clacked on the plates.
My tongue was a filling estuary,
My palate hung with starlight:
As I tasted the salty Pleiades
Orion dipped his foot into the water.

Alive and violated,
They lay on their bed of ice:
Bivalves: the split bulb
And philandering sigh of ocean
Millions of them ripped and shucked and scattered.

We had driven to that coast
Through flowers and limestone
And there we were, toasting friendship,
Laying down a perfect memory
In the cool of thatch and crockery.

Over the Alps, packed deep in hay and snow,
The Romans hauled their oysters south of Rome:
I saw damp panniers disgorge
The frond-lipped, brine-stung
Glut of privilege

And was angry that my trust could not repose
In the clear light, like poetry or freedom
Leaning in from sea. I ate the day
Deliberately, that its tang
Might quicken me all into verb, pure verb.

Sunday, January 1, 2012

The Hospital – Patrick Kavanagh


 
A year ago I fell in love with the functional ward
Of a chest hospital: square cubicles in a row
Plain concrete, wash basins - an art lover's woe,
Not counting how the fellow in the next bed snored. 
But nothing whatever is by love debarred,
The common and banal her heat can know.
The corridor led to a stairway and below
Was the inexhaustible adventure of a gravelled yard. 
 
This is what love does to things: the Rialto Bridge,
The main gate that was bent by a heavy lorry,
The seat at the back of a shed that was a suntrap.
Naming these things is the love-act and its pledge;
For we must record love's mystery without claptrap,
Snatch out of time the passionate transitory.